3 | Closet of Cameras A 10-foot-high cabinet sits in the corner of his main shooting space. It's filled with old cameras: Hasselblads, Rolleiflexes, and several Canons. 'Everything here works,' Winters says. 'My rule is that I buy cameras only if I can get film for them.' Starter Kit During his first professional gig, Winters acquired a Canon F1 (second shelf from the top, far upper left corner). He blacked out all the markings and logos with gaffer's tape to minimize reflection and unwanted attention.
Photo by Dan Winters
3 | Closet of Cameras A 10-foot-high cabinet sits in the corner of his main shooting space. It's filled with old cameras: Hasselblads, Rolleiflexes, and several Canons. 'Everything here works,' Winters says. 'My rule is that I buy cameras only if I can get film for them.' Starter Kit During his first professional gig, Winters acquired a Canon F1 (second shelf from the top, far upper left corner). He blacked out all the markings and logos with gaffer's tape to minimize reflection and unwanted attention.
Photo by Dan Winters
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